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dirty work

by sugar sauce

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1.
i can’t believe that i’m still alive i can’t believe my ears i can’t convince my eyes that red carnations on my bare unemptied chest are not some kind of sign that you just want me dead your canvas is my face my neck is your cold clay through which you express how i’m worth what i get paid in bruises on my heart and scratches on my brain to remind me that i’m yours and keep me in my place i still don’t mind doing your dirty work i still don’t mind, i still don’t mind there’s a great, there’s a great there’s a great, great void sucking us in, sucking us in sucking us in, don’t go alone i still don’t mind doing your dirty work i still don’t mind, i still don’t mind.
2.
not enough 03:41
all my friends are on their knees fixated on screens trying to sell some things they can’t afford to keep cold aluminum like the table i’m laying on a part of my brain is on hold and going numb every second i wait for the operator to plug me in, into the big machine i’m done with being excluded from the scene i’m selling my blood and my tongue to be wanted my lips and my lungs aren’t enough anymore keep still my beating heart you, you’re shaking my credit card it wouldn’t be hard to just trade you for the parts that i need for my brain so the operator can plug me in, into the big machine i’m done with being excluded from the scene i’m selling my blood and my tongue to be wanted my lips and my lungs aren’t enough anymore all my friends are on their knees fixated on screens trying to sell some things they can’t afford to keep i’m selling my blood and my tongue to be wanted my lips and my lungs aren’t enough anymore.
3.
oh my god the loneliest rain i’ve seen in so damn long is killing me patiently i don’t mean to complain but i think i’m going sane because i’ve got to have my perfect house, my perfect house i’m safe inside from change and light but i can’t get out, i can’t get out and i like it that way, i like it that way, i do holy hell am i the only one or do you feel compelled? to question the sun’s intentions i don’t mean to complain but i think i’m going sane because i’ve got to have my perfect house, my perfect house i’m safe inside from change and light but i can’t get out, i can’t get out and i like it that way, i like it that way, i do i do i don’t want to see i don’t want to be i don’t want to need nobody, nobody because i’ve got to have my perfect house, my perfect house i’m safe inside from change and light but i can’t get out, i can’t get out and i like it that way, i like it that way, i do.
4.
negatives 01:30
5.
someone 03:15
dog to the bluebird says if you be my eyes and my wings then i’ll hook you up a crew when the lady sings she’s drowning in a bowl she’s drowning in a bowl and it sounds like someone is sleeping while i sweat and it feels like someone is bleeding for my bed but it’s not me bird to the caterpillar says i’ll swing you a ride if you collect a couple calls and sling me a high i’m living in a, i’m living in a hole and it sounds like someone is sleeping while i sweat and it feels like someone is bleeding for my bed but it’s not me all of the children wonder where the lady is going tonight all of the children wonder when the lady will open her eyes her eyes and it sounds like someone is sleeping while i sweat and it feels like someone is bleeding for my bed but it’s not me.
6.
stare 03:48
7.
change 03:44
you that’s you, me i’m me i can’t do anything in your shoes, on your feet you that’s you there, me i’m me right here shoemaker cannot wear fine shoes if the doctor’s child, cannot lose his blues old baker cannot fill his bowl if the singer still has to sell his soul so can you spare a little change sir or are you scared to talk to strangers so can you spare a little change miss or are you scared to rearrange this like if you throw pearls to the swine worlds might collide and unfurl before you can sing you that’s you, me i’m me you can’t do, anything in my shoes, on my feet you that’s you there, me i’m me right here crazy seamstress won’t wear one bright dress unless all the rest of us face this mess dirty needles pull no silken strings if the singer still has no place to sing so can you spare a little change sir or are you scared to talk to strangers so can you spare a little change miss or are you scared to rearrange this like if you throw pearls to the swine worlds might collide sure if you throw pearls...
8.
9.
animal 04:48
woke up this morning using tools that could put me in the ground put me in the ground it’s true went back to working like a fool who can’t tell his up from down can’t tell his up from down but you how the hell did you get so, get so smart you’re just an animal, you’re just an animal like me woke up this morning building arms that could blow you to the moon blow you to the moon it’s true went back to working crying hard because i don’t know what to do i don’t know what to do about you how the hell did you get so, get so smart you’re just an animal, you’re just an animal like me when my body frees itself i pray the earth will take it back when my body frees itself i pray the earth will take it back when my body frees itself i pray the earth will take it back but you, but you how the hell did you get so, get so smart you’re just an animal, you’re just an animal like me.

credits

released June 7, 2014

written and arranged by michael glines
engineered and mixed by adam pardee at csumb studios
mastered by scott craggs at old colony mastering
artwork by amy twisselman
performed by:
michael glines - vocals, guitars
erica wobbles - keys
brett nickel - drums
lillie lemon - vocals
eddie kawashima - vocals on ‘sleeping phoenix’
bobby guinvarch - bass
christopher siders - poetry on ‘stare’ and ‘sleeping phoenix’
alaina musich - vocals
dylan stokes - percussion
zachary garren - guitar on ‘animal’

we would like to extend our humble gratitude to our families, mentors, colleagues, friends and donors for your indispensible support. namely, we want to thank lanier sammons, andy snyder and drew waters for providing artistic wisdom and valuable advice; ben rosett and orion rogers for listening to the mixes and sharing perspective; hisae kawashima for audio resources; and members of the redlight district, strawberry girls, major powers and the lo-fi symphony, slack, el camino sutra, soundscape, the modern life, moses nose, pipsqueak and the bloody kerouacs for sharing stages with us while we recorded this album.

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sugar sauce Monterey, California

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